Marcel Zaes Sagesser
Marcel Zaes Sagesser PhD
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Professor Media Creation
Institut für Creative\Media/Technologies - Studiengangsleiter
- Department Medien und Digitale Technologien
Arbeitsplatz: A - Campus-Platz 1
T: +43/2742/313 228 735
M: +43/676/847 228 735
Departments
- Medien und Digitale Technologien
Publikationen
Galvão, M. S., & Sagesser, M. Z. (2025). Soundwalking with AI: Collaborative Creativity as Embodied Learning. Frontiers in Computer Science, 7. https://doi.org/10.3389/fcomp.2025.1571303
Sagesser, M. Z., & Migliore, E. (2025). Can We Still Hear the Ocean? How the Artifact Q4 #101 Translates Shenzhen Underwater Recordings into an Interactive System. Companion Publication of the 2025 ACM Designing Interactive Systems Conference, 169–174. https://doi.org/10.1145/3715668.3736389
Zhong, B., Je, S., & Sagesser, M. Z. (2025). Auditory Materiality: Exploring Auditory Effects on Material Perception in Virtual Reality. 2025 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW), 659–662. https://doi.org/10.1109/VRW66409.2025.00136
Migliore, E., Sagesser, M. Z., & Ma, Y. (2024). The Grain No. 12/11 W4 102 1 From the City: Integrating a 3D Model with Audio Data as an Experimental Creative Method. Proceedings of the 17th International Symposium on Visual Information Communication and Interaction, 1–8. https://doi.org/10.1145/3678698.3687179
Migliore, E., Sagesser, M. Z., Zhang, Y., & Ma, Y. (2024). A Grain Of: Integrating a 3D Model with Audio Data as an Experimental Creative Method. Proceedings of the 17th International Symposium on Visual Information Communication and Interaction, 1–2. https://doi.org/10.1145/3678698.3687206
Wu, Z., Wen, R., Sagesser, M. Z., Ma, S. Y., Xian, J., Wu, W., & Braud, T. (2024). I Light U Up: Exploring a New Emergent Narrative Paradigm through Physical Data Participation in AI Generative Experiences. SIGGRAPH Asia 2024 Art Papers, 1–9. https://doi.org/10.1145/3680530.3695446
House, B., Aries, A., & Sagesser, M. Z. (2023). Metric Displacement: The Sound of Network Friction. MAST The Journal of Media Art Study and Theory, vol. 4 no. 2 (2023): Special Issue: The Art of Media Research, 56–69. https://doi.org/http://doi.org/10.59547/26911566.4.2.06
Sagesser, M. Z. (2023). Rhythms, Textures, Identities: Folding as a Technique in Kyoka’s Signature Sound. IIPC International Insitute for Popular Culture, Sep 2023(Proceedings from IASPM International Association for the Study of Popular Music annual meeting in, Daegu South Korea, in July 2022.). https://iipc.utu.fi/iaspm2022
Sagesser, M. Z. (2023). Mediating Place as Staging Time in “Setting”: Sonic Interactive Mobile Technology as an Art Performance. Designing Interactive Systems Conference, 60–63. https://doi.org/10.1145/3563703.3596806
Migliore, E., Sagesser, M. Z., & Qu, H. (2023). A Grain of: A Multimodal Representation of the City’s Ecology Through Material and Sound. Proceedings of the Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction, 1–4. https://doi.org/10.1145/3569009.3576178
Sagesser, M. Z., & Xu, B. (2023). Listening Through Technology: An Interactive Sound Walk for a Suburb in Shenzhen. In A. Marcus, E. Rosenzweig, & M. M. Soares (Eds.), Design, User Experience, and Usability (pp. 232–245). Springer Nature Switzerland. https://doi.org/10.1007/978-3-031-35696-4_17
Sagesser, M. Z. (2022). A Digital Archive of Participatory Location Rhythm Performances: Listening as a Way of Attending to the Pandemic. In M. Agamennone, D. Palma, & G. Sarno (Eds.), Sounds of the Pandemic: Accounts, Experiences, Perspectives in Times of COVID-19 (1st ed.). Focal Press. https://doi.org/10.4324/9781003200369
Sagesser, M. Z. (2022, May). Michigan Avenue: Portraying Urban Centers in Electronic Dance Music. International Association for the Study of Popular Music – US Branch, Annual conference, Ann Arbor, MI.
Parren, E., & Sagesser, M. Z. (2021, June 16). #otherbeats Music Live NIME 2021 [Video recording]. https://www.youtube.com/watch?v=Zfl_nrzeG88&t=1110s
Sagesser, M. Z. (2021, April 23). From Listening to Playing – Browser-Based Sound-Making in #otherbeats. SEAMUS 2021 Conference.
Sagesser, M. Z. (2021). #otherbeats: A Hypermediated Playback System in Web Audio. ICMC International Computer Music Conference 2021 Proceedings, 185–191. https://www.fulcrum.org/epubs/rn3013782?locale=en#page=209
Sagesser, M. Z. (2021). Within the Grid: Inquiries in the Socio-Rhythmic Ambiguities of Mechanical Time [Ph.D. Dissertation, Brown University]. https://repository.library.brown.edu/studio/item/bdr:u4svk9bf/
Sagesser, M. Z. (2021). #otherbeats: Performing a Participatory Archive of Social Rhythm. New Interfaces for Musical Expression NIME 2021. New Interfaces for Musical Expression NIME 2021, Shanghai, China. http://nime2021.org/program/#/music/178
Sagesser, M. Z. (2020). The Material Politics of Techno Punk. Norient Sound Series 1 - Sampling Politics Today, 1. https://doi.org/10.56513/nftg6449-19
Brockhaus, I., Harenberg, M., & Sagesser, M. Z. (2010). Schnittmuster in der Populären Musik. In I. Brockhaus & B. Weber (Eds.), Brockhaus, Immanuel; Harenberg, Michael; Sägesser, Marcel (2010). Schnittmuster in der Populären Musik In: Brockhaus, Immanuel; Weber, Bernhard (eds.) Inside The Cut. Digitale Schnitttechniken und Populäre Musik. Entwicklung – Wahrnehmung – Ästhetik (pp. 31-80). Bielefeld: transcript (pp. 31–80). transcript. https://www.hkb-interpretation.ch/publikationen/monographien-und-sammelbaende/inside-the-cut